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Title: Composition
Artist: Georges Mathieu (born 1921) Signed and inscribed Lower
Right.
Date 1964
Medium: Pen and Ink.
Size [Metric]: 22 x 27 cm. With frame:35 x 39 cm.
Size [Imperial]: 8 1/2 in. x 10 1/2 in With Frame: 13 1/2 x 15
1/2 in.
Condition: Very good.
Price: £1,250
The colour of this drawing is paler than in the majority of the
photos. The inscription appears to read "For Eddy with Love".
A typed note on the back indicated the provenance as Gimpel Fils
- November 1964. I followed it up and showed the work to Gimpel
Fils who were confidant of its authenticity and kindly obtained
Mathieu's own confirmation. I will provide either a note from
Mathieu himself or (given his age and some infirmity) a letter
from Gimpels Fils proving authenticity.
Georges Mathieu
Mathieu began to paint shortly after graduating from the University
of Lille. He then spend a few years teaching including an appointment
as a Professor at the American University in Biarritz before devoting
himself to art. He was remarkably successful.
His works are included in collections in France:
Museum Picasso, Antibes, Museum of the Art and Archaeology, Boulogne-sur-Mer,
Museum of Painting and Sculpture, Grenoble, Museum of Art , Lyon;
National Museum of Modern Art, Paris.
and elsewhere in:
Museum of Modern Art, (New York), Solomon R. Guggenheim Museum,
(New York); Museum Bezalel, (Jerusalem), Galleria Nazionale d'
Arte Moderna, (Rome), Museum of Modern art, (Tokyo), Foundation
Peter Stuyvesant, (Amsterdam), Tate Gallery, (London), Museum
of Fine Arts, (Houston - U.S.A.).
Medium: Etching - signed in the plate and in pencil Lower Right.
Size [Metric]: 16.5 x 14 cm. With frame:48 x 38 cm.
Size [Imperial]: 6.5 x 5.5 in. With Frame: 19 x 15 in.
Condition: Very good. Minor marking to simple "Hogarth"
frame.
Price: £100.
Henry Rayner
An etcher and printmaker, Henry Rayner was born in Australia
and worked there before coming to Britain in about 1924. He studied
at the Royal Academy and was a friend of Walter Sickert. He was
badly wounded in the blitz and became reclusive towards the end
of his life.
Henry Rayner is represented in the Ashmolean Museum, the Queen's
Collection, The National Portrait Gallery and many other museums
and art galleries including the National Gallery of Australia.
The National Portrait Gallery collection includes three of his
works (2 of Walter Sickert (1931) both etchings and one of King
George V (1939) - dry-point).
Medium: Etching - signed in the plate and in pencil Lower Right.
Date 1936 - a label written in pencil, possibly in the artist's
hand, and taped to the backboard gives the name and date
Size [Metric]: 15.5 x 15 cm. With frame: 48 x 38 cm.
Size [Imperial]: 6 x 6 in. With Frame: 19 x 15 in.
Condition: Very good. Minor marking to simple "Hogarth"
frame.
Price: £100.
Henry Rayner
An etcher and printmaker, Henry Rayner was born in Australia
and worked there before coming to Britain in about 1924. He studied
at the Royal Academy and was a friend of Walter Sickert. He was
badly wounded in the blitz and became reclusive towards the end
of his life.
Henry Rayner is represented in the Ashmolean Museum, the Queen's
Collection, The National Portrait Gallery and many other museums
and art galleries including the National Gallery of Australia.
The National Portrait Gallery collection includes three of his
works (2 of Walter Sickert (1931) both etchings and one of King
George V (1939) - dry-point).
Artist: P. Bollinger. Signed Lower Right in pencil.
Date: 1940s?
Medium : Pen and Ink.
Condition: Good though with slight creasing.
Size [Metric]: 30 x 24cm. With frame: 59 x 50.5 cm.
Size [Imperial]: 5 x 14.5 in. With Frame: 11 x 20.5 in.
Price: £450[pair].
A wonderfully detailed and attractive work, I know nothing of
the artist and wonder if it was drawn for a fashion magazine.
The only colour is that the subject has red lips with, if you
look at the original closely, deep green earrings.
The original mount was poor so it has been re-mounted into its
original oak frame which has a narrow gold slip insert.
Artist: P. Bollinger. Signed Lower Right in pencil
Date: 1940s?
Medium: Pen and Ink
Condition: Good.
Size [Metric]: 30 x 24cm. With frame: 59 x 50.5 cm.
Size [Imperial]: 5 x 14.5 in. With Frame: 11 x 20.5 in.
Price: £450[pair].
A wonderfully detailed and attractive work, I know nothing of
the artist and wonder if it was drawn for a fashion magazine.
The only colour is that the subject has red lips with, if you
look at the original closely, deep green earrings.
The original mount was poor so it has been re-mounted into its
original oak frame which has a narrow gold slip insert.
Artist: L.S. Lowry RA. (1886 - 1975). Signed in the plate and
Lower Right in pencil. Blindstamp of the Fine Arts Trade Guild.
Date: 1949. Print published 1975
Medium :Colour Limited Edition Print. No 170 of 750
Condition: Good, with slight marking to the surround.
Size [Metric]: 31.5 x 30 cm. With frame: 48.5 x 44.5 cm.
Size [Imperial]:12.5 x 12 in. With Frame: 19 x 17 in.
Price: £975.
Signed limited edition of "The Contraption" - signed
in the plate and in pencil, with the blindstamp of the Fine Art
Trade Guild. From an edition of 750, a colour reproduction originally
published by the Adam Collection Ltd.
Signed: Signed in pencil Lower Right and Inscribed "82"
Date: 1982
Size [Metric]: 49 x 54 cm . With Frame: 69.5 x 73 cms.
Size [Imperial]: 19 x 21 1/2 in. With Frame: 27 x 28 1/2 in.
Condition: Good
Price: £950
One of the earliest of the run (24/1000) this signed lithograph
is in the shape of an inverted "T" and in its original
"floating frame" - glazed both back and front. Whilst
this has its attractions it does make the work very difficult
to photograph! I used a background that I hoped would mean that
shadows would not show. Unhappily they do but they are only shadows!
David Hockney RA (1937 - )
A brilliant draughtsman and probably the best-known painter of
his generation he was elected RA in 1961 and made a Companion
of Honour in 1997. His works are in the collections of the Tate
Gallery, the V & A Museum, the Arts' Council and many others.