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For High Resolution image click left hand image
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Title: Interior scene Artist: English School. Date: 19th. Century Medium: Oil on panel Condition: Good Size [Metric]: 28.5 x 39.5 cm . With Frame: 43 x 54 cm. Size [Imperial]: 11.5 x 15.5 in. With Frame:17 x 21 in. Price £950 An unsigned but well executed and detailed work to which the artist has paid great attention. A painting in which the small aspects ; the fire, the glassware, the ornaments etc come together to from an evocative whole. email: patrick@worksofart.org.uk
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Title: Pergola Artist: Fred Appleyard (1874 - 1963) Signed Lower Right Medium: Oil on board Condition: Excellent Size [Metric]: 28.X 38 cm . With Frame: 44 x 54 cm. Size [Imperial]: 11.5 x 15 in. With Frame:17 x 21 in. Price £625 Fred Appleyard A very well regarded and popular artist Fred Appleyard had 41 paintings exhibited by the Royal Academy during his lifetime. He also painted the murals for the room that is now the RA's café. The Tate's collection owns one of his works. Appleyard often painted romanticised works featuring either wealthy
families or "wood nymphs". These also often featured
outdoor settings such as ruined buildings or stone. In 1994 the
Lady Lever Collection sold its Appleyard "Pergola" featuring
figures in and against a pergola. email: patrick@worksofart.org.uk |
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Title: Ruined Rocks Artist: Fred Appleyard (1874 - 1963) Initialled FA Lower Right Medium: Oil on board Condition: Excellent Size [Metric]: 28.5.X 39.5 cm . With Frame: 44.5 x 55 cm. Size [Imperial]: 11.5 x 15.5 in. With Frame:17.5 x 21.5 in. Price £400. Fred Appleyard A very well regarded and popular artist Fred Appleyard had 41 paintings exhibited by the Royal Academy during his lifetime. He also painted the murals for the room that is now the RA's café. The Tate's collection owns one of his works. Appleyard often painted romanticised works featuring either wealthy families or "wood nymphs". These also often featured outdoor settings such as ruined buildings or stone. Re-framed email: patrick@worksofart.org.uk |
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Title: River Scene Artist: Fred Appleyard (1874 - 1963) Signed Lower Right Medium: Oil on board Condition: Reasonable - rubbed in parts Size [Metric]: 29.X 39.5 cm . With Frame: 44 x 55 cm. Size [Imperial]: 11.5 x 15.5 in. With Frame:17.5 x 21.5 in. Price £425 Fred Appleyard A very well regarded and popular artist Fred Appleyard had 41 paintings exhibited by the Royal Academy during his lifetime. He also painted the murals for the room that is now the RA's café. The Tate's collection owns one of his works. Appleyard often painted romanticised works featuring either wealthy families or "wood nymphs". These also often featured outdoor settings such as ruined buildings or stone. Re-framed email: patrick@worksofart.org.uk |
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Title: Moonlit Street Artist: WILFRED JENKINS Signed: Signed Lower Centre Medium: Oil on canvas. Size [Metric]: 30 x 44 cm. With Frame: 42 x 56 cms. Size [Imperial]: 12 x 17 1/2 in. With Frame: 16 1/2 x 22 inches Price: £520 Condition: Good Wilfred Jenkins A little known Victorian artist whose work is, according to the Dictionary of British Artists (Vol. 4), now beginning to arouse interest as he painted moonlit street and dock scenes in the style of J. Atkinson Grimshaw. After such a harsh comment the Dictionary at least pays Jenkins the courtesy of illustrating one of his oils - A Moonlight Scene in Leeds. In Grimshaw's case the illustration is of the Houses of Parliament. Just about sums it up. As you might expect from a "moonlit" painting this is somewhat dark. I think that it would benefit from a light though not over-bright location. email: patrick@worksofart.org.uk |
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Title: Ruins in the Forest Artist: Mary McCrossan RBA (1863 or 1864 - 1934). Monogram incised Lower Left Medium: Oil on Canvas. Size [Metric]: 39 x 50 cm . With Frame: 53 x 63 cm. Size [Imperial]: 15 1/2 x 19 1/2 in. With Frame: 21 x 25 in. Condition: Very good Price: £600 This painting is illustrated at P.82 "George Fagan Bradshaw & the St Ives Society of Artists" by David Tovey. "No-one else sees nature quite in the same way" Mary McCrossan Born in Liverpool in either 1863 or 1864, Mary McCrossan studied in Liverpool, at Delacluse's Paris and under Olsson in St. Ives. She lived in Chelsea until 1929 when she finally moved to St. Ives. Highly regarded and with an individual style - as can be seen from this painting. It was said of her: "No-one else sees nature quite in the same way". Mary McCrossan was a member of the RBA (Royal Society of British Artists) and had some 20 paintings exhibited at the RA. email: patrick@worksofart.org.uk |
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